Origin Records Reviews



George Colligan - The Endless Mysteries
by Ben Turner, Jazz Reviews

George Colligan's been busy gigging, teaching ingrates like myself at Portland State, raising a son, and he had time to record a great trio album with Jack DeJohnette and Larry Grenadier. Man, what am I doing with my life?

George is a long-time friend of and collaborator with Jack DeJohnette, touring worldwide and appearing with him at last year's Portland Jazz Fest. He holds degree in trumpet from Peabody, mostly taught himself piano, and... read more

Human Spirit - Dialogue
by Jeff Krow, Audiophile Audition

****4-Stars

Human Spirit continues to shine, this time in a live setting?


Human Spirit is a band headed by Thomas Marriott, Mark Taylor, and Matt Jorgensen. Jorgensen's previous CD, Tattooed by Passion, was reviewed here in Oct 2011, and was in my top 10 CDs of that year. It was a tribute to his father-in-law, noted painter Dale Chisman. We also reviewed Marriott's CD, Human Spirit, last April. It featured Taylor,... read more

Flatland - Origin of Species
by Adam Greenburg, All Music Guide

A trio of musicians from Oregon working without one of the usual lead instruments can make for an interesting sound in the world of jazz. The fact that they're primarily electric and working on their own songs adds to that. The sound on Origin of Species is surprisingly atmospheric, working its way through sinuous grooves, long preludes, and the occasional punch of energy from Donald Corey's bass. The music, if comparable to anything, would have... read more

Hal Galper - O's Time
by Jerome Wilson, Cadence

Veteran pianist Hal Galper has a more measured, intricate approach on "O's Time." On John Coltrane's "Like Sonny" he takes his time working up classical-sounding turbulence with different tempos in each hand while his rhythm mates, Jeff Johnson and John Bishop swirl alongside him. The trio moves through Wayne Shotere's "Wildflower" and Charlie Chaplin's "Smile" in surging, delirious clouds while the ballad "Moonglazed" is played... read more

Thomas Marriott - Urban Folklore
by Travis Rogers, Jr., Music Life and Times

Thomas Marriott has released his ninth album as a leader with the October 21, 2014 Origin Records release of Urban Folklore. He has joined with one of the most expressive and talented trios around in the persons of Orrin Evans on piano, Eric Revis on bass and Donald Edwards on drums. They are deliberate and delicate and thoroughly brilliant. In fact, they have appeared separately and together on many of the finest recordings of the last... read more

Bobby Rozario - Healer
by Editor, Bman's Blues Report

I just had the opportunity to review the most recent release, Healer, by Bobby Rozario, and it's cool jazz rock with potent Latin influences. Opening with title track, Healer, Bobby Rozario opens with fluid guitar riffs underscored by Neil Nail Alexander on organ, James Genus on bass, Nathaniel Townsley on drums, and Jhair Sala on percussion and Rosario, Keith Fluitt, and Carlton Jumel Smith on vocals. Lively opener. On Supreme, they crank up... read more

Bobby Rozario - Spellbound
by Robert Silverstein, Roots Music Report

Seattle-based Origin Records is one of the most prolific jazz-centric recording labels in the world today and they keep the hits coming with the 2023 CD release of Spellbound, the second album to date by NYC-based guitarist Bobby Rozario. Drawing on the melting pot of incandescent sounds that is New York City, the 11-track album makes for an enthusiastic fusion romp that often sounds very influenced by guitar giants like Al DiMeola and... read more

Bridge Quartet - Night
by Jerome Wilson, Cadence

Night has a talented quartet pinning their ears back and playing their butts off on a variety of familiar pieces. the opening "Wouldn't it be Loverly" quickly establishes that Phil Dwyer is one of those saxophonists who likes to go on stream-of-consciousness rants in his solos. He generally does this in more laidback fashion than Sonny Rollins or Dexter Gordon, even on an uptempo "Green Dolphin Street." But on Rollins' "Strode Rode" he really... read more

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